© 1985 Blue Note Records
This debut record from Stanley Jordan features the guitarist's extraordinarily idiosyncratic tapping technique on a variety of material. Jordan's revolutionary approach to the instrument, consisting of striking the fretboard with both hands to sound notes, allows him access to musical possibilities that are simply out of the reach of other guitar players. It is in his hands that the guitar attains a level of self-accompaniment formerly held only by the piano.
Fortunately, Jordan puts his prodigious chops to good use making good music. One area in particular in which he is terrifically talented is in the reinterpretation of modern pop material. His version of the Beatles' "Eleanor Rigby," accompanied only by the subtle percussion of Sammy Figueroa, dismisses the British melancholy of the original for a light-as-air interpretation that brings out the playfulness in the melody. Also impressive is Jordan's cover of Michael Jackson's "The Lady in My Life," which the guitarist gives a smooth, sultry reading. On the flip side, Jordan also proves that he is not out of touch with the history of jazz, with delightful versions of "Freddie Freeloader," "'Round Midnight," and "A Child Is Born."
An instant classic, and one of the definitive moments of modern jazz guitar.
Jazz / Fusion
Live in New York opens with a blazing rendition of John Coltrane's "Impressions" that highlights Jordan's amazing technique and shows off the tidy playing of pianist Kenny Kirkland. With a solid band behind him (Charnett Moffett, bass; Jeff Watts, drums) Jordan is free to offer up his high-gloss guitar moves in a rock-solid environment. "Willow Weep for Me," "Over the Rainbow," and his own composition, "Flying Home," are offered as examples of Jordan's jaw-dropping solo work near this satisfying set's close.